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Art and design exclusive works, manufactured in a workmanlike fashion with imperishable materials.
Refinement and functionality in limited editions or single and customizable works.
Direct relationship between designers and customers, to achieve an excellent value for money.
ETHICS, TRASPARENCY, TRUST, SATISFACTION, MUTUAL ADMIRATION.
ONLY PROTOTYPES AND SINGLE WORKS. |
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Pieces of furniture which are characterised as typically natural and are able to express a deep biological personality in the maximum aesthetical deliberateness; the sensitive qualities of the natural matter nourish the form and the analogical and evocative values of the form observe and interpret the matter, with outcomes borrowed from the customary figurations, yet open to the satisfaction of new vital attitudes.
The use of natural materials such as solid wood for the construction, the waxes, the resins and the natural oils for the finishing touches enable an interactive relationship with the space of destination - as aesthetical form - in time - as developing subjects: a continual vibration of the perceptible qualities which the materials, the traditional production techniques and the manual finishing touches release to always new organisations.
This is revealed by the tactile and olfactory experience, the changing reading of the surfaces by the light which lead man from the deepest root of its sensitivity.
Solid wood from broad-leaved trees in the best essences, predominantly from cultivation, is the constituting material; elements in marble are sometimes present, as well as ornamental patterns with mosaic technique in stone materials or vitreous glasses glazed at high temperature.
The craftsman-like production involves dry junctions between the parts through joints and wooden or brass screws
The finishing touch is 100% natural and manual and uses pure vegetable oils, animal waxes such as bee wax or vegetable such as carnauba wax, natural resins such as dammar-pine, sandarac, copal and elemi, benzoe, amber, incense and myrrh carried with citrus oil.
The works are the result of a complex process of modelling where each operator leaves the mark of his or her own personality, in favour of an unmistakable expressive identity.
The condition of biological privilege guarantees the continuous chromatic development and the enhancement of the value of the surfaces over time.
The works, produced in limited edition, are all marked, signed and numbered in the body.
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